Students are required to take two courses foundational courses. Film Analysis focuses on close textual analysis of individual films, the systematic orchestration of formal elements in relation to meaning in films, and key critical and theoretical approaches including dialectical montage, realism, and structuralist analysis of genre as frameworks the significance of formal analysis. Film Theory extends this textual and conceptual approach to focus on contemporary theories of narrative, classical Hollywood film, ideology, film semiotics, spectatorship, feminism, and psychoanalysis as well as recent revisions of these debates on the theory/history relationship, the nature of historical film, and digital cinema. An extensive analytical journal required of all students in both classes reinforces core skills. Film Studies is strongly affiliated with the Communication Department and these core courses are offered through the department. Film Analysis also serves as a core course for Communication.
Students are also required to take a capstone seminar course, which integrates formal and critical/theoretical approaches to analyzing films studied in the core. Capstones focus on new theoretical problems about cinema, reassessments of earlier debates in film studies and related fields, and new topics in national cinema. Current capstones are offered in two key areas:
Faculty teaching electives are from Communication and other departments and programs, namely, English, French and Italian, German, History, Spanish and Portuguese as well as Africana Studies, Asian Studies, and Digital Media Production. Electives focus on film movements and various filmmaking traditions, film and social issues, topics in genre and authorship, topics in Politics and Cinema, the history of film industry in the U.S. including Hollywood, focusing on production, distribution, and exhibition of films, the critical study of film and its connection to film production. The international reach of national cinemas taught in the program has been particularly strong with courses on Latin American, Cuban, Argentine, African, Italian, French, Spanish, Chinese, Moroccan, Taiwanese, Hong Kong, Nigerian, and Malaysian cinema. Electives also span a broad history of cinema including19th century precinematic visual culture, early cinema, silent cinema, early sound, historical avant garde, classical Hollywood cinema, art cinema, new wave cinemas, "New Hollywood," contemporary cinema, fan films, contemporary experimental cinema, and 21st century digital culture.