Barbara E. Mundy’s scholarship dwells in zones of contact between Native peoples and settler colonists as they forged new visual cultures in the Americas. She has been particularly interested in the social construction of space and its imaginary, which was the subject of her first book, The Mapping of New Spain. Her most recent book, The Death of Aztec Tenochtitlan, the Life of Mexico City, draws on Indigenous texts and representations to counter a colonialist historiography and to argue for the city’s nature as an Indigenous city through the sixteenth century.
Mundy's current book project, "The Embodiment of the Word: European Book Culture and New World Manuscripts." Rather than considering Indigenous manuscripts as phenomena separate from European books, it situates native bookmakers in the midst of the new technological revolution brought about by the printing press. While Martin Luther’s innovations (and conflagrations) take up most of the oxygen in the history of print in the early sixteenth century, attracting less attention, but equally radical, was the Spanish crown’s use of the new technology to control, via standardization, governance, language, and history. The testing ground of this imperial project was the “Indies,” as their American territories were called, and it is within this context that her protagonists--Indigenous writers, painters and bookmakers--operated.
With Dana Leibsohn, Mundy is the co-creator of Vistas: Visual Culture in Spanish America, 1520-1820. Digital projects are a fundamental part of her teaching practice. Mundy was the 2021-22 Kislak Chair at the Library of Congress; she has had fellowships at the Center for Advanced Study in the Visual Arts at the National Gallery of Art and at the John Carter Brown Library. She serves on the editorial board of Estudios de cultura náhuatl and is the current president of the American Society for Ethnohistory. Prior to coming to Tulane, she was a Professor of Art History at Fordham University in New York.
The Death of Aztec Tenochtitlan, the Life of Mexico City. Austin: University of Texas Press, 2015. Received the 2017 Latin American Studies Association (LASA) Bryce Wood Award; the 2016 Book Prize in Colonial Latin American Studies from LASA; the 2016 Elinor Melville Prize for Latin American Environmental History from the Conference on Latin American History of the American Historical Association; the 2015 Margaret Arvey Foundation Award from the Association of Latin American Art. Spanish edition: La muerte de Tenochtitlan, la vida de México. Mexico City: Grano de Sal, 2018.
“Beyond Recognition? Orphan Objects, Decolonization, and Religious Histories of the Spanish Americas” with Dana Leibsohn. In Digital Humanities and Material Religion: An Introduction, Rachel McBride Lindsey and Emily Suzanne Clark, eds. De Gruyter Press, 2022.
“Dating the Mapa Uppsala of Mexico-Tenochtitlan,” with Jennifer Saracino. Imago Mundi 73, part 1 (2021), pp. 2-15.
"El Códice Mendocino y la ciudad de México-Tenochtitlan / The Codex Mendoza and the city of Mexico-Tenochtitlan." In "Códice Mendocino / Codex Mendoza," Jorge Gomez-Tejada, ed. Quito: Universidad San Francisco de Quito, 2021.
“The Plans of Mexico City, 1520-1810.” In A Companion to Viceregal Mexico City, 1519-1821, John López, ed. 303-327. Leiden: Brill, 2021.
“No longer home: the smellscape of Mexico City, 1500-1600.” Ethnohistory 68, no. 1 (January 2021), pp. 77-101.
"Kubler’s ‘On the Colonial Extinction of the Motifs of Pre-Columbian Art’ reconsidered.” Latin American and Latinx Visual Culture 2: 4 (2020), pp. 55-60.
“The emergence of alphabetic writing: tlahcuiloh and escribano in sixteenth-century Mexico.” The Americas: A Quarterly Review of Latin American History 77, 3 (July 2020), pp. 361-407.
"Ecology and Leadership: Pantitlan and other Erratic Phenomena.” In The Florentine Codex: An Encyclopedia of the Nahua World in Sixteenth-Century Mexico, Jeanette F. Peterson and Kevin Terraciano, eds. 125-138. Austin: University of Texas Press, 2019.
"Out of the Shadow of Vasari: Towards a New Model of the 'Artist' in Colonial Latin America." With Aaron Hyman. Colonial Latin American Review 24, no. 3 (Winter 2016), pp. 283-317.
Vistas: Visual Culture in Spanish America, Cultura visual en Hispanoamérica, 1520-1820. With Dana Leibsohn. Austin: University of Texas Press, 2010. DVD. Online relaunch, 2015: http://www.fordham.edu/vistas.
Painting a Map of Sixteenth-Century Mexico City: Land, Writing and Native Rule. Mary E. Miller and Barbara E. Mundy, eds. New Haven: Beinecke Library, distributed by Yale University Press, 2012.
The Mapping of New Spain: Indigenous Cartography and the Maps of the Relaciones Geográficas. Chicago and London: University of Chicago Press, 1996. Received the 1996 Nebenzahl Prize in the History of Cartography. Paperback edition, 2000.
- Introduction to Art History: Global
- Material and Meaning in the Ancient Americas
- Aztec Art and Architecture
- Culture Clash in the Americas
- The Book in the Sixteenth-Century Americas
- Inventing a New World