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Newcomb Art Department

MISSION

The Newcomb Art Department is devoted to the study and production of visual art within the context of Tulane University's strong tradition in the liberal arts. It fosters an environment of independent and collective exploration that promotes original thought, creative inquiry, and visual literacy. 

The studio art program develops students’ skills of rendering and fabrication as well as perception, composition and execution. Exposure to historical and contemporary art, vigorous analysis and comparative examination provide substantial grounding of practice in theory.

The art history program educates students in the visual and historical analysis of art from antiquity to the present. Its faculty exposes students to an array of methodological approaches to interpret art across different regions and periods, fostering rigorous thinking and effective verbal expression.

The department enriches the university and community, serving as an advocate for the visual arts by presenting exhibitions, lectures, and other programs. The department contributes to the creation and analysis of visual art by supporting original scholarship and creativity among its faculty on regional, national, and international levels.

Newcomb Art News
Tuesday, September 11, 2018 - 14:23
Anne C. Nelson, Professor of Practice in Painting and Drawing, is the recipient of a 2018-19 Lavin Bernick Research Support Grant. 

During the summer of 2018 she traveled extensively, visiting locations in Minnesota, the East Coast, and Northern Europe where she has ancestral roots. 

Nelson's resulting art work reflects a desire to examine the negative consequences of European immigration in the 19th century and to consider the bearing that history has on present narratives. 

An exhibition of new paintings is on view at Staple Goods Gallery in New Orleans from September 8 - October 7, 2018.
Tuesday, September 4, 2018 - 14:39
Kevin H. Jones had a solo show, Stellar Rays, at Art Lab Akiba in Tokyo Japan during the month of August 2018. The exhibition presented new work examining the fleeting and unattainable by investigating astronomy, high speed photography, and chemistry. By moving from the micro with chemistry to the macro with astronomy, ephemeral moments are captured in various forms. The work Self-Reflexive (shown left) is a high-speed camera that has been altered to give the illusion that it is melting. By representing the apparatus’ state of being as what can only be seen in slow motion, the sculpture captures what is elusive and unattainable.  Two works in the exhibition use star maps to elicit this mysterious nature. Within the work, Gravitational Field, a star chart is recreated on a tire innertube evoking a blackhole and astrophysics. While the sculpture, Hyperhat, presents the viewer with a silver-plated top hat that has been severed by an intersection of the vast universe as an LCD screen that shows a star map in motion. Both of these works bring the night sky to a more human level, manifested in a more tangible format. Other works examine graphics related to chemistry and popular culture by bringing clusters of images together that elude meaning.
Tuesday, September 4, 2018 - 13:11
The Newcomb Art Department welcomes Sean Fader to the faculty as Professor of Practice in Photography.

Fader’s practice looks at the photographic event as the site of performance.  He is interested in how these images are created, disseminated, and digested in digital public spaces. 

Fader earned his MFA from the School of the Art Institute of Chicago and previously taught at the School of the Art Institute of Chicago, the Fashion Institute of Technology (FIT), New York University Tisch School of the Arts (NYU), Hunter College, Hampshire College, and The Metropolitan Museum of Art (MET).
Monday, August 20, 2018 - 14:57
To develop a course on the art of pilgrimage, Prof. Holly Flora and Prof. Leslie Geddes traveled in June to Israel and Jordan to meet scholars of medieval art and to view sites long venerated in the Holy Land. As an invited speaker, Prof. Flora presented “Materiality and the Senses in Cimabue’s Assisi Murals (c. 1200)” to faculty and graduate students participating in a seminar on medieval art and the senses at Tel Aviv University. Their host, Dr. Renana Bartal, escorted Professors Flora and Geddes to sites near the Sea of Galilee, including Capernaum, the Church of the Multiplication of the Loaves and Fish, and Magdala. Medievalist doctoral students of Tel Aviv University took them to see the 12th-century Crusader church, now a Benedictine monastery, at Abu Ghosh. In Jerusalem they were fortunate to participate in a private tour of the Western Wall and the Via Dolorosa, facilitated by TAU’s Prof. Assaf Pinkus. Prof. Galit Noga-Banai of Hebrew University showed them the archaeological site of the first Marian church, located halfway between Jerusalem and Bethlehem. One their own, Professors Flora and Geddes traveled to Masada, the fortified palace built by Herod the Great and site of an infamous siege during the First Jewish-Roman War, and Petra, where they saw the famous rock-cut architecture of the Nabataeans.
Tuesday, July 24, 2018 - 12:05
Through the Valley, an exhibition of recent sculpture by internationally-known glass sculptor Gene Koss will be on view at Arthur Roger Gallery, located at 432 Julia Street, from August 4–September 22, 2018. 

The gallery will host an opening reception with the artist in attendance, Saturday, August 4 from 6 to 9 pm in conjunction with the Hancock Whitney White Linen Night