Relive the fun of Wave Weekend 2024 with our highlight reel and slideshow, featuring all of the revelry from our annual Catch Up with the Dean event, game day tailgate, and more!
 

 

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Dr. Demetrius Williams (African American Religious History & Intro to the New Testament) was the professor that had the greatest impact on my career.  He was my first professor of color whom I could easily relate to.  He is a very well-educated minister and gifted scholar who helped shape my career path as a minister, social worker, community activist, and entrepreneur.

In discussing favorite professors, among the best was Robert Strong, Political Science department.  His writing assignments contributed to skills I use every day in my career, but his real impact on my life was cultivating my interest in twentieth century American foreign policy – which has absolutely nothing to do with my career – but remains a part of my life through the books I read to this day.  And the books he assigned still sit on my shelves, dog eared, highlighted, annotated, and occasionally reread.

I took a creative writing course with Professor Eric Trethewey that I think served me well, for a few reasons.  First, as a practical matter, writing is essential to my litigation practice, and that course was probably my first foray into really focusing on the importance of good writing and the skillset necessary to be a good writer.  Relatedly, it opened me up to thinking in a more critical way, while also focusing for the first time on reading poetry and some of the great books, something I had not done really begun to do until that point—and that I’m still working on!

The moment I stepped onto Tulane's campus, I knew it was the place for me.  My most memorable class at Tulane was 'The History of Louisiana'. No school can provide the opportunity to learn about something like the diverse blend of cultures that led to traditions, such as Mardi Gras, and then to experience it as well.

As a proud graduate of Tulane University, staying involved with the alumni community allows me to give back to the institution that helped shape my personal and professional journey. Serving on the National Alumni Board gives me the opportunity to connect with fellow alumni, contribute to the growth and development of the university, and support future generations of Tulanians. Tulane’s commitment to innovation, community, and academic excellence continues to inspire me, and I am honored to play a role in advancing its legacy.

From start to finish, an excavation season on Tulane University’s Pompeii I.14 Project takes precisely five weeks: 24 days for digging and recording below the floors of the Roman city, followed by one day to refill all the trenches, re-establishing the original floor level and making the site once again safe for the millions of tourists who visit each year. The success of that short period, however, is made possible by work across the entire year. As project director, I spend the fall writing reports and coordinating publication of the preceding season, as well as applying for the necessary funding to secure our work for another year. In the spring, I finalize the staff — approximately 40 professional archaeologists, graduate students, and undergraduates from Tulane and other institutions — and coordinate logistics that range from where we will open new trenches, to how we can most effectively incorporate emerging technologies, to which local deli will deliver the most nutritious lunches to the work site. As the spring semester winds down, the project launches into high gear, with everyone convening in the small modern town alongside the ruins that becomes our home for almost two months.

The Pompeii I.14 Project is a collaboration between Tulane and the Archaeological Park of Pompeii, conducted under the purview of the Italian Ministry of Culture. We focus on reconstructing the lives of the city’s lower classes, which included a significant enslaved workforce. We are excavating a building complex located near the ancient amphitheater, with hopes to expand to the larger neighborhood in coming years. When Pompeii was destroyed by the volcano Mt. Vesuvius in 79 CE, our site — in the city block labeled by the modern address system as Region 1, Insula 14 — was used for various commercial and industrial functions with, by Roman standards, a decidedly low-status bent. In the first two years of the project, we’ve identified businesses such as sit-down and carry-away dining establishments, a variety of shops, and a workshop manufacturing reed mats and baskets. By digging below the floors of the eruption phase we are able to piece together life in the centuries preceding the disaster. Pompeii, after all, existed as a city for nearly 700 years before the eruption, and the plateau on which it is located was inhabited centuries before that.

The lower classes are always more difficult to access archaeologically than the elite. Not only did non-elites own fewer objects, but also their belongings were more likely to be made of materials that do not survive over time, such as wood, leather, fabric, and wicker. Our approach, therefore, brings together interdisciplinary, humanistic research with the sciences and cutting-edge technologies to recover as much information as possible from the excavation site. The data we collect varies widely, from the large-scale construction history encoded in the building’s walls and floors to stories told by small-scale artifacts — from the broken bits of ceramics, metal, and glass that we recover and study by the thousands each year, to the remains of food scraps less than a millimeter in size. Undertaking such a detailed analysis can reveal incredible insights; the recent find of a black peppercorn within a cesspit associated with the restaurant, for example, reveals that the food served there included expensive flavorings, suggesting a menu far from the simple breads and gruels long imagined to sustain the Roman masses. Grown on the western coast of India, the peppercorn likewise attests to the massive and cosmopolitan trade network in which Pompeii’s residents participated.

In addition to our research goals, we aim for the project to contribute to a more just future for Mediterranean archaeology, which remains among the least inclusive of liberal arts disciplines due especially to the high costs of travel for fieldwork. Our team includes undergraduate excavators from Tulane and other universities, whom we select via a competitive application and interview process. A recent study has shown that archaeological fieldwork in the Mediterranean costs an average of $5,000–6,000 a summer for an undergraduate, a price that immediately limits participation. Much of my effort throughout the year, therefore, is spent securing funding for the team’s living expenses, allowing a diverse group of students to participate at no or very little cost. Thus far, the work has been supported by a range of grants from Tulane—the Lavin Bernick Faculty Research Grant, COR Research Fellowship, School of Liberal Arts Faculty Fellowship, Mellon Assistant Professor Grant, and the Ernest Henry Riedel Fund in Classical Studies, as well as external grants from the Loeb Classical Library Foundation and the Rust Family Foundation. I am currently applying for larger governmental grants and am interested in collaborating also with private patrons.

My work in Pompeii is often met with surprise; research at the site has been ongoing for nearly 250 years, and many think the city must have given up its secrets long ago. That idea could not be further from the truth. Pompeii represents a unique archaeological laboratory, offering a range of data simply unmatched by any other Roman city. As long as we continue approaching it with new questions, new methods, and new perspectives, there will be no limit to what it can teach us about our shared human past.  

Discover more about the Pompeii I.14 Project

Explore a virtual rendering of the Pompeii site using this multimedia tool:



Listen to Professor Allison Emmerson discuss the last regular day in Pompeii on the HISTORY This Week podcast:

 
Watch archeologists prepare for a day of excavating at the Pompeii site:

As a chemistry major and Arabic minor, Lily Sahihi never imagined that her two passions would intersect. “Arabic and STEM have both played huge parts in my life, but I usually think about them in very separate contexts,” she shared. “Having the opportunity to combine these two studies into interdisciplinary research is something I never expected but I’m incredibly grateful to explore.”

During a class on Arabic root forms, Middle East & North African Senior Professor of Practice Bouchaib Gadir mentioned the similarities between Arabic and DNA in stem cells. “That seed was planted in my head, and I just couldn’t stop thinking about it,” Lily continued. She pulled out her notes from Arabic and biology classes and started forming connections. That day she reached out to Professor Gadir, explaining how she thought the concept had potential and the two applied for a research grant through Tulane’s Center for Engaged Learning & Teaching, which covered the cost of research materials and provided a student stipend.

After being notified that they received the grant, Dr. Gadir began to create short lessons and explanations on the semantics of the Arabic language as it relates to the stemming of roots, while Lily took that information and amalgamated it with research on stem cells and amino acids.

The research looks to draw parallels between the way that Arabic words are formed and the formation and functions of amino acids present in stem cell DNA. In Arabic lexicology, the “root” of a word is made up of three letters that create a core meaning. Prefixes, suffixes, and clitics (short forms of words that cannot stand alone and must be added to other words) are then added to form more specific nouns and verbs. For example, by taking the root k-t-b and adding vowels and suffixes, the words kitab (كتاب), which means book, katib (كاتِب), which means writer, maktaba (مَكتَبة), which means library, and many others can be formed. All of these words ultimately share the same root, and their meanings can be attributed to having to do with writing.

The ultimate base of the biological side of the research surrounds the fact that RNA is made up of a series of codons, which are created by a sequence of three nucleotides. This research also mainly focuses on stem cells, which, in their embryonic form, can divide into most or all cell types in an organism. The genetic makeup of these cells dictates what they will become, using a series of transcription factors that signify if certain genes (segments of DNA) will be active or inactive.

These genes are transcribed into RNA, which is made up of series — or three-letter nucleotide groupings known as codons. Each nucleotide is made of a ribose molecule, a phosphate group, and either adenine, guanine, cytosine, or uracil. The codon that three nucleotides form specifies the production of an amino acid. Each of the 20 amino acids that could be produced has a sequence of three nucleotides, along with specific traits and characteristics. Similar to the way Arabic roots dictate a core meaning, three nucleotides dictate an amino acid, and similar letter pairings and patterns also show noticeable similarities in the functions of their respective amino acids.

“Lily’s innovative research is grounded in critical thinking,” Professor Gadir said. “The skills she has developed, such as enhanced analytical abilities and the capacity to identify connections between different domains, are vital for engaging with diverse frameworks.”

The goal of this research is to provide an interdisciplinary understanding of both topics in such a way that research on each may contribute to the theorization of both. It also may contribute to the creation of new and novel models of genetic coding.

There are many nuances to this research including new studies of Arabic lexicology that suggest that some words that share two letters of the root share striking similarities in meaning, regardless of the third letter. This is furthered by looking at the amino acids that only share the same sequence of two letters and their functions.

“Lily's project embodies the goals of interdisciplinary research initiatives that seek to merge STEM disciplines with a liberal arts education,” Professor Gadir shared. “Her work highlights the importance of integrating various fields to gain a deeper understanding of complex issues.”

On a clear, hot morning in late September, freshmen from Adjunct Professor Laura Kelley’s class "Indian Tribes On the Bayou” (Honors Colloquium COLQ 1020-07) boarded a bus headed to the Southeastern tip of Louisiana, where an endless network of bayous and tributaries weave their way into the Gulf of Mexico.

Upon arriving in Port Sulphur, Louisiana, Tulane students and faculty joined volunteers from the Coalition to Restore Coastal Louisiana (CRCL). Together, they moved hundreds of bags of oyster shells into small fishing boats to make the short trip to Grand Bayou Indian Village, home of the Atakapa-Ishak/Chawasha Tribe.

Freshman Kali Lasseigne, who grew up exploring the swamps and bayous of Berwick, Louisiana, immediately noticed something off about this landscape. Exposed roots from erosion and dead trees made the land look almost desert-like. Most notably, “the marsh had big dents in it, as if someone took a bite out of the land,” she explains.

Once stacked together, the bags of oyster shells — products of CRCL’s decade-long recycling program — mimic natural oyster reefs, fighting back against coastal erosion and helping to prevent the “bites” that Kali observed. In Grand Bayou Indian Village, the assembly line started up again, with help from Atakapa-Ishak/Chawasha tribal members, unloading the oyster bags to stack along the shoreline. Several students even jumped in the water, getting thigh-high in the marsh, to lay down the first layer of bags. Professor Kelley noted how, in nearby Pointe-au-Chien Indian Tribe’s land, she has seen CRCL bags in action, where even after sustaining damage from Hurricane Ida, the reefs were doing what they were meant to do, protect the land. Over time, she explains, “they become almost cement-like. And then baby oysters grow on top of them, so it becomes like a living reef.”

Oyster reefs not only offer storm protection but create habitats for marine life like fish, crabs, and shorebirds. Plus, a single oyster filters up to fifty gallons of water a day, contributing to a healthier gulf while growing nutritious, regenerative food. “Oysters are really the perfect biomaterial,” says Saanvi Nair, a freshman who plans to major in cell molecular biology.

Students like Saanvi and Kali, both on a pre-med track, recognized the benefit of the anthropological (and interdisciplinary) approach of the course. Tribes like the Atakapa-Ishak/Chawasha and the Pointe-au-Chien face interconnected challenges — coastal erosion, overfishing, the after-effects of exploitative mining and oil drilling, man-made and natural disasters — that cannot be siloed into single disciplines. By engaging directly with the people affected, the course creates a holistic framework for understanding complex issues at play. For someone interested in medicine and molecular biology, Saanvi gained perspective on issues of health equity while exploring the connection between history and health.

And the journey out to Grand Bayou Indian Village gave her a much-needed context. “Seeing coastal erosion first-hand and seeing how it affects actual people makes it a lot more tangible,” she shared. “And you just feel more connected to the cause.”

Throughout the rest of the semester, Kelley’s class partners with the Pointe-au-Chien Indian Tribe, designing projects around their needs. This semester, Kelley’s class wrote a French-English children’s book, focusing on the history and culture of fishing and food, that will get published and used at Pointe-au-Chien’s new French-Indigenous immersion school, Ecole Pointe-au-Chien.

“One of my favorite aspects of Native culture (so far) is the idea of stewardship of the land,” shared Kali. “Every Native culture we have learned about — and there have been many — has respected, loved, and tended to the land in a way we simply do not see today.”

Grand Bayou Indian Village sits at the edge of the gulf, one of the only tribal communities accessible exclusively by water. The Tribe first raised their houses when Hurricane Katrina floodwater reached an unprecedented 10 feet; it is now an entire floating village, stilted above the water.

Like the mighty oyster itself, the reciprocal benefits of this small project were manyfold. Oyster bags help preserve an important cultural and historic site.

And, as Kelley points out, with recent storms Helene and Milton fresh on everyone’s mind, “The problems on these frontline communities are not just a problem of Pointe-au-Chien, and not just a problem of Grand Bayou Indian Village and others — it’s an everybody problem, right?”

“If we don't work together as a community and deal with these things then we're going to get nowhere fast,” Kelley goes on.

“We get a lot of negative news, and it feels very depressing, like we can't do anything about climate change and all the associated problems with it,” Kelley adds. “And then you do something like this, and you think, if we all just did something in our backyard, that little something in all of our backyards amounts to a whole lot of something.”

Service learning is a requirement for all Tulane students, and the Center for Public Service (CPS) works to cultivate lasting, mutually beneficial relationships with CRCL and other community organizations, allowing professors like Kelley to build community engagement into their courses in such innovative ways.

“Of course, this class has made me want to volunteer more,” Kali shared. “Not only do I get to connect with my roots, I get to be a part of something larger than myself, and who wouldn’t want more of that?”

Anyone is welcome to volunteer with CRCL, but as Kelley points out, there’s an even simpler way to help: eat oysters. About 35 restaurants in New Orleans participate in CRCL’s oyster shell recycling project, and by dining there, patrons help return shells to the Gulf to build reefs and breathe life back into the coastline — a win-win for everyone.

Xyy Yang (SLA ’27) took the skills from his coursework in Digital Media Practices (DMP) to football's biggest event, joining the Super Bowl LIX media madness in New Orleans as a production assistant in the days ahead of the game.

The prospective DMP major has spent the last year sharpening his skills in video production with the Dean’s Office marketing & communications team — an experience he says helped prepare him for the high-pressure environment of sports media coverage. Introducing him to the team at Front Office Sports (FOS) was an easy solution that enabled Yang to earn hands-on experience in his field, and he was partially prepared for the pace. Still, with 6,414 accredited members of the media filling the Ernest N. Morial Convention Center — the most ever for a Super Bowl — being exposed to Radio Row was a definite first.

FOS is a media company with over 800K newsletter subscribers, known for publishing off-the-field content at the intersection of sports, business, and culture. Xxy’s PA duties included tasks like set fabrication and production suite setup, as seen in the photos of FOS' "before" rendering as well as the ultimate build. He also logged and organized video assets and jumping in on last-minute edit needs so producers could keep a rolling cadence of social media assets to their fanbase.

"The concept of a media row was something I didn’t know about before. Just the sheer number of media companies there was something astonishing," said Yang. "AP News was just a few steps away from the booth I was working, which was pretty wild, as was the crowd of celebrities. The week started on Monday with the build of Front Office’s set in the Convention Center, so I was able to really experience things beginning from the ground up."

This was a key role in our production workflow. Xyy handled himself in a professional and smart way, and was very well respected and appreciated by our production crew.

-Alan Springer

Xyy's main duties fell under Jon Shames, Podcast Producer for FOS, to help setup a Roland VR-120HD Direct Streaming AV Mixer for use as a backup recording device, as well as to act as video switcher. "I had to troubleshoot issues, such as the stream not showing up on a MacBook, and come up with testing solutions to pinpoint what the issues were. I mainly supported Jon and helped with whatever was needed. He was a force on-site... both with how many people he knew, and all that he was able to recall from memory."

Alan Springer, CEO of Springtime Media and part of the FOS Super Bowl coverage team, commented, “As a PA, Xyy helped our production team set up the wiring and internet, assisted in managing the production schedule, and traveled offsite to get production gear that was needed. He learned the skill set to operate and run our Black Magic audio/video board used to stream the live feed back to our editors in New York.

Read on for more in Xyy's own words, from highlights of his experience, what he learned from producers, and how he will continue to build on this opportunity.

Applicable Skills from Current Courses

In Final Cut Pro Mastery (THEA3910) with Professor Antony Sandoval, I'm learning the ins and outs of professional video editing, and understanding video workflow. With Professor Duane Prefume's Virtual & 3D Filmmaking (DMPC391001) I’m able to experience 3D filmmaking and what it’s like to jump into a whole new world — as well as try my hand at troubleshooting new applications, programs, and tech. And then Glass I (ARST1170) with Professor Christian Stock proved a very valuable endeavor in working as a team under intense heat and pressure.

Advice from the Professionals

• “Being a good producer is getting ahead of potential issues before they happen.”
  I was told I was on the right path when, as we were leaving to go to Best Buy around 6pm, I asked security by the entrance if there was a certain time we had to be back in case there was a cut-off for allowing new entrances.
• “Start gaining hands-on experience early.” 
  Others advised me that students should begin building their skills well before their junior or senior years — it makes a significant difference.

Key Takeaways

Listening to professional career journeys was incredibly insightful. Hearing them discuss the people they worked with, which collaborations were successful, which weren’t, and how their paths unfolded — all of it. Each story was packed with valuable lessons, reinforcing that every journey is unique.

The ability to wear many hats is so important! Maybe a team member needs to suddenly be somewhere else on a critical assignment. Being able to step in could mean anything from having to cut and craft footage for social media to working as the video switcher. It not only gives the team flexibility, but everyone works better together when they understand other roles besides their own.

Stay in ongoing communication, and ask questions. For example, communicating to the camera operators current issues or cutting to the other camera so the camera can setup for a close-up shot… then cutting back to that camera with the video switcher. It’s not always going to be the same gear but being able to go into a new environment and problem-solve on the fly in a high-pressure environment can apply to any situation.

Tulane’s Newcomb Department of Music has undertaken its first major curriculum overhaul in decades, responding to the evolving interests of current and prospective students eager to explore and shape the sonic landscapes of daily life. Curriculum innovations include reimagining the jazz studies program as Black American Music (BAM) and introducing a new specialization in Music and Technology (M&T). While working towards these changes, Tulane began to bolster its faculty in BAM and M&T with the addition of acclaimed composer Courtney Bryan, renowned trumpeter Ashlyn Parker, and dynamic percussionist Peter Varnado — enhancing student resources and deepening connections to New Orleans’ vibrant music scene. These efforts are helping Tulane's music program position itself as a national hub for students seeking to merge their passion for music with a forward-looking professional education.

Additional program updates include streamlining the Bachelor of Fine Arts in Music into one degree with five possible pathways — allowing students to pursue specific career options that integrate professional areas such as composition, performance, and musical theater, alongside BAM and M&T. In addition, updated core requirements now reflect the diversity of today’s global and popular musical traditions and the transformative role of technology in the music industry.

To further strengthen the music studies, musical theater, and music business offerings, the department recently welcomed internationally recognized ethnomusicologist Ana Maria Ochoa; actor, director, writer, and producer Laura Waringer; and producer and seasoned percussionist Taku Hirano. These professors are leaders within their specialty and are poised to reinvigorate Tulane’s musical legacy.

Launched in the fall of 2024, these reforms are already showing results — with a rise in music majors and minors within just one semester. These positive outcomes are thanks in part to the Department of Music’s faculty working more closely with each student to ensure their success while enrolled and post-graduation.

Ana María Ochoa

Professor

Laura Waringer

Assistant Professor

Taku Hirano

Professor of Practice

What impact does the consumption of true crime have on our understanding of reality? How are male pickup artists linked to internet-trolling incels? In what ways does Kate Chopin use regionalism in her writing? These are just some of the research questions presented by panelists at Tulane’s 3^rd annual English Undergraduate Research Conference, an event that celebrated the depth of intellectual curiosity and opportunity for unexpected ideas in the study of literature.

I had the privilege of acting as a moderator and Keynote Graduate Speaker at this year’s conference, along with some other English graduate students. Presenters represented different years and majors, all linked together by outstanding research papers and creative writing submitted for their English classes. The event is designed to give students of all majors the full experience, complete with lively question-and-answer sessions following their presentations.

While moderating my panel, I had the opportunity to hear from Caroline S. and Petra R., two STEM students who presented completely different pieces linked by their shared contemplation of the nature of reality and truth. Caroline’s piece, a bittersweet exploration of her New Orleanian roots, grounded itself in the universally human desire to understand our families and our pasts. Petra’s research, on the other hand, analyzed how the consumption of true crime as entertainment can skew our perceptions of reality while moving us farther away from our humanity. After presenting their writing, the audience participated in an engaging session of questions and synthesis, ultimately contemplating how our personal mythologies and biases undergird our perception of reality.

Looking back on their joint panel, Caroline stated that “Being able to do this showed me the ability for personal experiences to transcend the personal and have other people connect with that. Then, during our discussion, I had thought, how were we going to connect these things? And somehow we did!” Meanwhile, Petra mused on presenting in general, noting, “I think a lot of times it can be uncomfortable finding the right words that convey what you mean [when put on the spot], but it deepens your understanding and perception of your own writing without even realizing it.”

For my Keynote Address, I shared my Master’s thesis exploring linked themes in Gothic literature and Gothic rock. My fellow Keynotes, Leah-Tim Davant and Alex Gassel, presented a Master’s thesis about regionalism within Kate Chopin’s literature on New Orleans and a Capstone project on how Virginia Woolf’s writing parallels later absurdist ideas in Camus’ The Myth of Sisyphus, respectively. Presenting on this range of topics was a chance to show how pursuing graduate studies in English at Tulane empowers students to explore the subjects and ideas that most engage them within the broader curriculum.

What strikes me as the most important and dynamic part of studying English is how each thing we study can be linked to another. Although we tend to view English as solely the study of literature, the field is far more interdisciplinary than just that — consisting of Philosophy, Art, History, and even sometimes delving into the sciences. Undergraduates presented on topics such as the Oura Ring, cyborgs in the modern age, and chivalry in the South. And while the topics themselves seemed worlds apart, each presentation shared a common thread: the desire to bridge personal insight with broader cultural understanding.
 

In the end, what the English Undergraduate Research Conference really shows is how unexpected ideas can come together in powerful ways. Whether a personal narrative centered on our history or research on the ramifications of true crime, each presentation revealed how English isn’t just about literature, but the emotions and ideas that make us human. Presenters proved that curiosity is what unites us all, and it thrives when we push boundaries and share these conversations across disciplines and generations.

The Tulane Conference on Linguistics (T-CoL) is designed to be a conference that, while maintaining high academic standards, is a warm and open place for first-time speakers. Hosted by graduate students in the Interdisciplinary Linguistics Program, T-CoLoffers an opportunity for anyone with an interest in linguistics to network with other scholars, professors, and students in the Gulf South. During the 7th annual conference, which took place in March 2025, scholars presented research on language-made material across 11 sessions.

Over time, writing systems can change drastically for a variety of reasons, including technological innovations, outside influence, and underlying language changes. “We hoped to draw attention to all of the different ways language can be used, whether in education, signage, ancient writing systems, and so on,” said Keara Sparks, T-CoL co-host and president of the Tulane Linguistics Student Association. Speakers also looked at language in the ephemeral, as it becomes the material: visualization and mapping dialects, articulations, vowel formants, and language variation. In other words, the materialization of language itself.

Participation included 17 speakers, mostly coming from the Gulf South, and more than 50 attendees. “It is so nice to have a conference that is centered on linguistics,” one attendant remarked. “It’s nice to get to see everyone face to face and learn about all the different projects we’re working on,” they continued. The event culminated with keynote speaker Dr. Amy George and her talk, “On This Earth Here: Mapping the Universe Across Time, Space, and Languages.” With this presentation, Dr. George took the audience on a brief trip through humankinds’ perceived understanding of the universe through charts, writings, and art of our solar system and other “heavenly bodies,” dating back to the year 161 CE.

The conference was sponsored by the Interdisciplinary Linguistics Program and Graduate Studies Student Association, with support from the Newcomb Art Department. Those interested in presenting or attending next year can email Reveal Email Address to join the mailing list.